Iron Maiden--Iron Maiden (1980)
Rating--7.4
The first release from a band that would go on to carry the torch of power metal for many, many years. Right in the middle of the
NWOBHM, and this album displays a number of strong musical qualities that the group would go on to perfect (and others would
try and copy) in the future.
The guitar sound is a bit too treble-based in places, but does manage to thicken up enough at times to keep
from being a hinderance. Strong and refreshing for the era, even though production-wise it's not quite up to the level of the same-year releases
by Judas Priest, Scorpions, or AC/DC. However, the musicians' sheer musical talents more than make up for it. Vocals provided by Paul Di'Anno, whose voice is a power gruff the majority of the time, and
delves into an almost Alice Cooper mew in the softer spots.
The band starts out on "Prowler" immediately changing tempos, which
would later become a Maiden trademark. "Phantom of the Opera" showcases some fast, impressive guitar work, as well as a
plodding chug sound that would be perfected during the 'Piece of Mind'/'Powerslave' era. "Transylvania" is the first of many swift
and intricate instrumentals for the band, and Steve Harris's colorful bass work shows up in fine fashion on "Charlotte the
Harlot".
Songs "Running Free," "Sanctuary," and "Iron Maiden" are all full of energy and beat, and have survived the test
of time to remain concert favorites---especially in the band's English homeland.
TRACK LIST: Prowler/Remember Tomorrow/Running Free/Phantom of the Opera/Transylvania/Strange World/Sanctuary/
Charlotte the Harlot/Iron Maiden
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